Was That Bieber?

Warning: This blog deals with mature content.

I heard a Justin Bieber song on the radio the other day, but I didn’t realize it was him. You see, I have come to know Bieber’s style as a quintessential love song, girl heart-throb thing with shallow lyrics aimed towards repetition and beat rather than actual substance or clear, healthy messages.

Some of his early work that I ran into listening to the radio were things like his song about not understanding women, which is laughable to me because it tries to classify an emotional, complex behavior of courtship into finite “yes or no” and while there are other songs I grew up with that had similar messages like “Hot ‘n Cold” by Katy Perry, “What Do You Mean” seemed to simplify it even further just demanding them to be one thing.

I suppose I should spoiler here and say that I’m going to explain what I mean by simplifying and I’m going to be talking about child inappropriate things.

Read More »

non-capitalization in Poetry

Non-capitalization is good for helping progress the emotional drama of a poem. For many poems, this is a capitalization strategy that you can try to see if it will help improve what you want to say. This style can surprise you.

Writing any poem without capitalization to begin with can be a challenge, so mostly this style is good after finishing a poem while exploring all of the different tones and options. The time I find non-capitalization helpful in a poem is when the poem is informal, and quiet, or morose. Non-capitalization tends to change the tone towards something more personal and sincere. Poems which are navel gazers or preaching poems can turn into something that sounds honest when getting rid of the formality of grammar.

There are two different ways that you can play with non-capitalization; leave everything uncapitalized, and leave sentences uncapitalized.

The difference is a method of thought. In most cases, uncapitalized poetry won’t mean uncapitalized words, just not capitalizing the first word in your sentences, but that isn’t the only grammar rule which deals with capitalization. Some poets also add on that they want to capitalize nothing. It’s all about a degree of choice. There are even some poets who will choose to capitalize nothing but the most important part of the poem to draw attention to it.

Everything Uncapitalized

This tone is usually more private, almost like whispering and sharing a secret. It comes off soft, and sometimes disrespectful to the speaker or the individuals and places involved. This is because most of the time capitalization of proper nouns and pronouns is regarded as honoring that individual.

With this style, you would not capitalize things like “I” and “United States” which can leave the tone of the poem somewhat morose. Most poems that choose to go with this style also feel less restricted to proper sentence structure and grammatical rules.

There is a new trend in poetry for younger generations which creates poems that do not follow these grammatical rules such as just using lists of noun phrases as a poem rather than adding verbs and sentences. These poems can be very bold and shocking, but most of them will look better without capitalization because it plays at the idea that these are not sentences, but fragments which were meant to be fragments.

The more you want to break traditional rules, the less grammar and punctuation you may want to try in the poem. Not all poems will abide by these rules. It takes understanding the subject, the motivation, and the response people will have to find a balance between clarity, and presentation. Some grammar rules will help with the flow of the poem.

Sentences Uncapitalized

This tone presents with more belief in self if the poem is first person, and more respect for the character if it is in third person. In this case, you still capitalize things like “I” and “Tim” but you wouldn’t capitalize the beginning of sentences. Oftentimes this is the stop-gap for poems which feel too formal with capitalization, but not informal enough for a lack of capitalization.

Another fun thing to do with this style of non-capitalization is to allow for a lack of punctuation, or minimal punctuation which can create interesting sentences, and develop new ways to read lines. You can use enjambment to plan sentences as they read, versus sentences that are on a line. This can be tricky if you stick with all grammar rules, but given the trends of poems, it’s oftentimes easier to create unique images on a line with enjambment than you may imagine.

Applications of non-capitalization

In many ways non-capitalization in poetry can be a challenge to see how well your poem stands up to grammatical criticism as we read. Sometimes the capitalization in a sentence or paragraph can hide grammatical flaws like missing clauses.

As we read, we jump from sentence to sentence with capitalization guiding us along, and getting rid of that capitalization can create a new perspective of how the sentences flow together, and where they don’t. A problem for some young writers is to write in complete sentences, and getting rid of capitalization can show them where the complete sentences are so they stop putting periods where a comma should go.

More than a learning tool, taking away capitalization can give people a feeling of missing something which may be exactly what your poem is about. Sometimes the best metaphors for emotions are visual rather than the symbolic meanings of the words. If the poem is about a lack of beginnings, or a lack of respect, or just written by someone who would be texting it rather than typing, try taking out capitalization, give it a little bit of time, then read it fresh and see if you like it better.

The worst thing that could happen is having to add the capitalization back in, so it’s worth the extra effort!

A Poem: Inaugurations

I get sick of hearing
that we’re making history
with this or that, because we’re not making history.
History is what people of the future record.
People won’t look back in the book of records
and remember two hundred years from now
that these things happened.

They will look back, decide what they wish to say
and then morph it into the important side notes of life.
Current history isn’t history,
it’s a life changing event.

I went to see this amazing event,
but the event was more important to me than
making history.

Being in that crowed of all those people,
the president spoke and hearing the words
echo over the Jumbo-trons
made me shiver like a ghost touched me.

All these people,
all these individuals from everywhere, and everything,
came in curiosity, hope, and faith in this man.
Every crowed and every section on that day
had different reactions,
different moments of sadness,
of happiness, and cheers.

Those people in those crowds made up different lives
showed to represent different places
and all of us stood together,
crouched together
huddled together in the cold,
and listened together.

We may have been making history,
but it was about the moment,
that feeling of comradery and friendship
the ability to lean on your neighbor for warmth
a neighbor whom you would never meet again
and to see everyone at once react,
being enthralled in the speech.

The Inauguration of President Obama
wasn’t about making history
it was about the United States
coming together to support and witness this man
and it wasn’t about the first black President,
it was about a leader who could take us forward,
give us the support and hard work we need
to prove our vote still matters.

A Poem: Garden

Garden It was ripped to shreds turned over, and dumped atop a chipped hole in the earth. The garden had been pretty. Weedy, but pretty nevertheless. Like anything it took time to grow a bleeding heart, a couple bushes the occasional tulip planting a horrifying dog toy and bones but in the end, all of […]